|
Mamma Mia!


Directed by: Phyllida Lloyd
Starring: Meryl Streep
Genre:
Romance/Musical
Run Time: 108
min.
Release Date:
July 2008
On The Web:
Official
Site
Teaser:
Movie Trailer
Reviewed by
Byron Merritt |
Who’d of thought that ABBA songs could be so operatic?
Certainly not me! The fact that I hadn’t seen the stage-play (by the
same name) probably added to my surprise.
Being no fan of that Swedish rock group of the 70s and
80s, I was doubly surprised to find myself enjoying this film so much.
In no small measure was my enjoyment thanks to the all-star cast, no
doubt, but also how well incorporated the songs were within the story.
The story is worthy of a Shakespearean comedy with
high confusion, paternal bonds in question, and lady-love finding its
way into the audiences heart in unusual ways. The story, this time,
revolves around Sophie (Amanda Seyfried,
HOUSE M.D.) and her desire to find
her true father before her wedding. Stumbling upon her mother’s diary,
Sophie finds three candidates that might be her dad. Her mother Donna
(Meryl Streep, THE DEVIL WEARS PRADA) has no idea that her daughter has
invited three of her former loves to the wedding. And when they arrive,
paternal sparks go a-flying, as do the flickers of old romances. Harry
(Colin Firth) comes to the wedding out of fear that he’d done something
and then left it undone (i.e., not properly fathering his daughter).
Bill (Stellan Skarsgard,
PIRATES OF THE CARIBBEAN: AT WORLD’S END) comes
simply because he’s curious. But Sam (Pierce Brosnan,
THE MATADOR)
arrives with a burning love-gone-by for Donna. And when Donna finds out
all three of these old flames have arrived for the wedding, chaos ensues
...mixed with some toe-tapping music (Gah! Toe-tapping to ABBA!).
The other element to the story are two old work
friends of Donna’s (they were a trio of singers at one time) who arrive
for the wedding and find Donna in a frazzled state. Rosie (Julie
Walters, BECOMING JANE) is the active and playful one with plenty of
spunk, while Tanya (Christine Baranski) is the sexual over-achiever who
has to fight off the advances of a few young island boys.
Surprises abound as the movie winds down. One person
comes out of the closet, while two others find love (even though one is
running away from any possible commitment). Donna herself might find
love in the arms of one of those old flames. And Sophie’s wedding gets a
change of venue.
One of the final songs on the track ("Take a Chance on
Me") is extremely funny and well thought-out. And as the credits roll,
there’s some laugh-out-loud moments as we get to watch Colin Firth try
to dance in a skin-tight, sequined outfit (along with the other main
players in the film).
The final positive note for this movie has to be that
the director Phyllida Lloyd was also responsible for MAMMA MIA’s huge
stage production success, and her translation of it from stage to silver
screen was exceptionally well-rendered. This one’s a surprisingly good
film, even for those folks who aren’t into ABBA.
(back to top) |
Image from Mamma Mia!

DVD cost: $26.99
Purchase:
Tower.com
Film Review Stew
Favorite? No.
Stew Poo-Poo? No.
Newsworthy:
An undercurrent of the
film is to structure the story as a Greek comedy (like Aristophanes),
including patterns of strophe and anti-strophe, a chorus representing
the common people, and costumes matched to moods of the characters,
including masks and the phallic props typical of Greek comedy.
Movie Quote: "Somebody
up there has got it in for me. I bet it's my mother."
Other Actors/Actresses
from Mamma Mia!
   |